David Ayer To Script Updated Scarface

EXCLUSIVE: Training Day scribe David Ayer has been hired to write the new version of Scarface for Universal Pictures. The film will put a contemporary spin on the outlaw tale first released in 1932 with Paul Muni playing an Italian who took over Chicago, and then turned into the spectacularly violent 1983 film that starred Al Pacino as Tony Montana, a Cuban who took over the cocaine trade in 1980s Miami. The new film is being produced by Marc Shmuger and his Global Produce banner along with Martin Bregman, who produced the Brian De Palma-directed version. When the studio set up the project in late September, the intention wasn’t to do a remake as much as to marry the common elements of the two films with a contemporary crime context. Basically, the focus is on an outsider, an immigrant who barges his way into the criminal establishment in pursuit of a twisted version of the American dream, becoming a kingpin through a campaign of ruthlessness and violent ambition. Ayer tells me that he is not at all cowed by stepping into an iconic title. “This is a fantasy for me, I can still remember when I saw the film at 13 and it blew my mind,” he said. “I sought it out; I went after it hard. I see it as the story of the American dream, with a character whose moral compass points in a different direction. That puts it right in my wheelhouse. I studied both the original Ben Hecht-Howard Hawks movie and the DePalma-Pacino version and found some universal themes. I’m still under the hood figuring out the wiring that will translate, but both films had a specificity of place, there was unapologetic violence, and a main character who socially scared the shit out of people, but who had his own moral code. Each was faithful to the underworld of its time. There are enough opportunities in the real world today that provide an opportunity to do this right. If it was just an attempt to remake the 1983 film, that would never work.” Ayer takes on the job after completing End Of Watch, the Exclusive Media Group-funded drama that Ayer wrote, directed and produced. Jake Gyllenhaal and Michael Pena star as LAPD partners and best friends who navigate their work and personal lives. It started out as a found footage-style film, with the POV coming from everything from the camera mounted on every cop car to security cameras and other surveillance devices. Ayer said it evolved into something not so rigid, which he called a mix of “unconventional storytelling interwoven with conventional photography that creates a portrait of their lives. It’s a cross between Cops and Mean Streets.” It is Ayer’s third directing effort after Harsh Times and Street Kings, and he’s got a cut that he’ll test with an audience before finishing and showing it to potential domestic distributors before year’s end. The film, which was financed by Exclusive Media, will be ready to be seen by domestic distributors before year’s end. Ayer’s repped by CAA and attorney David Weber.

R.I.P. John Chambers

last century Fox TV’s publish-production executive John Chambers died November. 11 carrying out a extended fight with pancreatic cancer. He was 56. Chambers spent eight years within the studio, becoming Director of Publish Production without any.2 executive inside the publish production department to Gary Hall. He oversaw publish production on all 20th TV series and upset until his dying he was last at the office a few days before he died. In the last couple of years, Chambers produced a detailed relationship with Modern Family co-creator/executive producer Steve Levitan whom he aided watch cuts and do other publish-production concentrate on his iPad. Modern Family‘s Thanksgiving episode the other day ended getting a card devoted for the Chamber’s memory. Before joining 20th TV, Chambers labored as editor, producer, and production manager around the slew of film and television productions, including features Lethal Weapon 3 and Frankie and Johnny and series Fame and Knowing Amy. More youthful crowd trained editing within the American Film Institute for virtually 10 years.

Golden Globe contenders for animated feature

It's been another strong year for animated features, both creatively and at the box office. And the HFPA can nominate five, with the winner possibly making the Oscar list of best pics.The Adventures of Tintin: The Secret of the UnicornClassic precursor: "Casablanca" meets "Around the World in 80 Days."Chances for a nom: It has all the right ingredients -- Steven Spielberg directing his first animated film, ground-breaking 3D motion capture (based on Jim Cameron's animation process developed for "Avatar"), Peter Jackson producing, and Daniel Craig, Jamie Bell and Andy Serkis doing voice-overs. Glowing reviews and huge B.O. overseas -- where it was strategically released first -- only increase its Globe chances. * * * Arthur Christmas Classic precursor: "Elf" and"Santa's Workshop."Chances a nom: The 3D computer-animated fantasy comedy is co-produced by Sony and respected U.K. animation house Aardman ("Wallace & Gromit") and features the right seasonal ingredients and a top Brit voice-over cast that includes Globe noms James McAvoy as Santa's son Arthur and Imelda Staunton as Mrs. Santa, Globe fave Hugh Laurie (six noms, two wins) and Globe winner Bill Nighy. * * * RangoClassic precursor: "Pinocchio" with some "High Noon" thrown in.Chances for a nom: Boasting a bunch of firsts, Paramount's "Rango" showcased state-of-the-art animation and visual effects by industry powerhouse ILM, and was the first animation film for both ILM and "Pirates of the Caribbean" veteran Gore Verbinski. With a stellar cast that includes Globe winner Johnny Depp -- charming as the swashbuckling green, bug-eyed chameleon -- and Isla Fisher as his love interest, the lizardy Western was a global smash, raking in more than $242 million and critical plaudits. * * * Puss in BootsClassic precursor: "Shrek" franchiseChances for a nom: Beautifully animated in 3D, this prequel to the "Shrek" films stars Antonio Banderas as the title character in full Zorro/Latin lover mode, and was directed by "Shrek 3's" Chris Miller. The $130 million production also features the vocal talents of Salma Hayek as Kitty Softpaws and Zach Galifianakis as Humpty Dumpty in a redemption tale that should appeal to all HFPA cat-lovers. * * * Kung Fu Panda 2Classic precursor: 2008's $631 million global smash "Kung Fu Panda"Chances for a nom: Starring a Globe-friendly cast that includes Angelina Jolie and Dustin Hoffman, the well-received sequel earned $653 million worldwide -- making it the highest-grossing film ever directed by a woman, Jennifer Yuh -- who won an Annie for her work on the first film. * * * Cars 2Classic precursor: 2006's "Cars"Chances for a nom: While the sequel was lovingly developed and directed by Pixar head John Lasseter, and ended up grossing over $551 million worldwide (significantly, just half of what last year's "Toy Story 3" grossed), "Cars 2" failed to live up to (maybe too high) expectations. Critical reception was also mixed, and this year may offer competitors a real chance to knock Pixar off its perch. * * * Gnomeo & JulietClassic precursor: Offspring of Walt Disney, Mario Puzo and the BardChances for a nom: The kitschy, kid-friendly tale of rival tribes of English garden gnomes features a strong voice-over cast (James McAvoy and Emily Blunt as the title characters) and an even stronger score from Elton John, who also exec produced and collaborated with Lady Gaga on "Hello, Hello." * * * RioClassic precursor: "101 Dalmatians"Chances for a nom: The irresistible Carnival vibe of "Rio," the 3D CG extravaganza from native son director Carlos Saldanha ("Ice Age") and Blue Sky, was a $484 million global hit and seems tailor-made for the party-loving Globes. * * * Happy Feet TwoClassic precursor: 2006's $385 million grossing Globe-winner "Happy Feet."Chances for a nom: The popular penguin dance party teams four-time Globe winner Robin Williams with Globe winners Brad Pitt and Matt Damon, throws in newcomers Sofia Vergara, Pink and Common, and also showcases an eco-sensitive plot. * * * GOLDEN GLOBES RACETops in tubthumps? Best Picture: Drama | Best Picture: Comedy or Musical | Television | Animation Contact the Variety newsroom at news@variety.com

The Adopted (L'ensemble des adoptes): Film Review

Aldo RossiClockwise from left: Cari Fletcher, Paige Elizabeth, Dani Knights in combat and Hayley Orrantia X Factor's Simon Cowell states girl group Lakoda Rayne, that they together with fellow idol judges L.A. Reid, Paula Abdul and Nicole Scherzinger produced if this paired bootcamp finalistsDani Knights in combat, Cari Fletcher, Paige Elizabeth and Hayley Orrantia, was chosen from the competition to be "too pretty."our editor recommends'X Factor' Double Elimination: Who Went Home for that Holidays?'X Factor' Burning Questions: Is L.A. Reid From the Demi Lovato Loop? Will Chris Rene's 'Young Homie' Be Launched?'X Factor' Redux: Melanie Amaro Finds Her Spirit and Her Accent (Video) "It's an issue I've had my existence," he joked following Wednesday's elimination show. But in most importance, he blamed the audience members' searches for their exit. "Women did not like them," Cowell stated. "Groups will always be difficult however i think someone like Came is excellent for the reason that she talks to teens just like a teen -- that's a part of her appeal. They're a little older, however it's exactly the same principle." PHOTOS: 'X Factor' Behind the curtain Because The Top 11 Exercise a few days's Performances For LeRoy Bell, the unlikely 60-year-old finalist who stole America's heart together with his velvety voice and sweet disposition, Cowell doubts ageism was at the office. "It had been personality-ism," the mind judge told the Hollywood Reporter. "You've really reached pop now, you've reached get people to wish to election for you personally whenever you're rivaling people like Came or Rachel [Crow] or particularly what Melanie [Amaro] did Tuesday evening. At this time, you are making an argument and that i always felt with LeRoy he was slightly embarrassed he needed to contend with 13 ort 14-year-olds while he's a guy and that he's got dignity. And That I type of have it, but It seemed like he didn't quite let themself go in the manner that Josh [Krajcik] allows themself go." Talking about letting things go, it appears Reid is not holding a grudge if this involves Cowell's verbal assault another evening. "L.A. was a bit chilled at the start, specially when he saw the playback from the show," Cowell cracked. "I don't think he loved that greatly, because I'd the final word.Inch PHOTOS: Become familiar with 'X Factor's' Top 17 Runners up Still, Cowell demands it's mainly for show. "I described to L.A. before we did the reveal that we're likely to have that type of relationship," he stated. "If you want one another, you could have that type of banter." But Cowell is not going to allow the Demi Lovato slip go. In conclusion: Reid belittled Came for singing the hit "Skyscraper" saying it had been music for 40-year-olds. Lovato, who sings the song, is 19. "We haven't stopped speaking about this,Inch Cowell stated having a chuckle. "I'm getting the album shipped to his dressing room." Cowell adds he was as surprised as anybody that Reid "didn't be aware of song," but younger crowd first viewed it being an chance. "I loved it because I understood he would have trouble with [Came], that's been happening for some time,Inch Cowell described. "Then when he dropped the ball on Demi, it had been like, 'Fine, now I'm likely to say what I wish to say.'" And did he ever. Cowell known as Reid's experience "stupid, inaccurate rubbish" among a slew of other insults, departing the Epic Records chairman dumbfounded. But no hard feelings -- minutes later, the 2 were kibitzing outdoors the X Factor stage door. It's television, in the end. Twitter: @shirleyhalperin PHOTO GALLERY: View Gallery Inside Simon Cowell's 'X Factor' Trailer (Exclusive) PHOTO GALLERY: View Gallery 'X Factor' Behind the curtain: The Very Best 11 Exercise the Week's Performances Nicole Scherzinger Paula Abdul Simon Cowell Antonio L.A. Reid Lakoda Rayne LeRoy Bell Josh Krajcik Melanie Amaro Came Ryniewicz The X Factor

Graham King nabs 'Out of Time'

Graham King's TV division has acquired global distribution rights for your approaching Canadian series "From Time."Simon Craig written the pilot and may professional produce with fellow scribe Rob King. Patt Williams may even professional produce.Ten episodes are actually bought to air on Canuck broadcaster Shaw Media, with Reunion Pictures set to produce. Tom Rowe, Lisa Richardson and Matthew O'Connor are professional producers for Reunion.No U.S. network is presently attached.One-hour drama concentrates on a girl cop around 2077 who's moving several terrorists in order to their execution. Out of the blue, however, the crowd is distributed time visiting 2012 where they could reconstitute their violent agenda. While casting has yet to complete, Thandie Newton is circling the project too as with predicts play in the lead. Newton is co-starring inside the new Tyler Perry pic "Good Deeds," that's scheduled for release early next season.GK-TV remains searching to improve its pipeline lately. Shingle is developing a biopic for Lifetime on former Hollywood bigwig William Wilkerson and "Port Royal" is at script development at Foreign exchange.Produced with Gale Anne Hurd's Valhalla Entertainment, "Port Royal" concentrates on pirates and a myriad of undesirables who undergo a 17th century Jamaican town. Contact Stuart Levine at stuart.levine@variety.com

Scorsese's three dimensional learning curve

Richardson Martin Scorsese and the crew mulled the thought of shooting "Hugo" in 2D and transforming it, but made the decision it must be shot in three dimensional -- though they rapidly discovered the procedure needed these to re-think "everything" about filmmaking, the helmer stated. The training curve was steep given that they didn't have prior three dimensional experience. Scorsese told Variety, "Transpire here was to try and tell the storyline with this particular added component of depth, to make use of depth as narrative since most people thorough." "None people tried three dimensional before," stated "Hugo" production designer Dante Ferretti, that has now done eight films with Scorsese. He found their latest effort especially challenging due to the sheer detail needed by three dimensional, which, he rapidly recognized, cries out for significant detail to fill the depth it produces while watching camera. "It is extremely vital that you put a lot of things for the reason that space," Ferretti stated. A lot of "Hugo" -- occur the nineteen thirties -- happens at Paris' Gare p Montparnasse stop and inside its clock tower, parts which Ferretti built on massive sets at a number of London-area soundstages. "We did tests and recognized we needed to add particulars towards the clocks, machinery, gears and pipes because for three dimensional to be effective, a person always has to possess many objects before you decide to,Inch Ferretti added. The creative approach on "Hugo" was almost the polar opposite to that particular of "Immortals," the topic of this column two days ago. That Tarsem Singh-helmed, vfx-intense saga depended largely on greenscreen technology because of its skills and was shot in 2D and transformed into three dimensional in contrast, "Hugo" was shot stereoscopically and used huge, elaborate physical sets, with vfx supervisor Take advantage of Legato adding just the background extensions. Cinematographer Robert Richardson was both "excited" and "put off" by the possibilities of his first three dimensional shoot, that also been his first electronically shot feature. He used Arri Alexa cameras paired on the Pace rig. The first factors of shooting in 2D and carrying out a conversion were up for grabs "for reasons of financial aspects," based on Richardson, "but Marty always aspired to shoot on three dimensional and there is no doubt when you are taking three dimensional seriously, taking it this way is essential.Inch Sorsese looks toward further technical advances. "You are speaking a lot more than three dimensional, you are speaking holograms," stated the helmer. "This is where it is going, ultimately It does not need to be sci-fi. That you can do 'Hamlet' in hologram." Reservations & Signings Re-recording mixers Greg P. Russell and Scott Millan happen to be drawn on to operate on "Skyfall," the 23rd Mission Impossible film, in the new Technicolor publish-production seem facility around the Vital lot, where these were lately became a member of by fellow re-recording mixer Anna Behlmer. Sandra Marsh & Affiliates reserved production designers John Myhre on February's Academy awards ceremony, Jim Clay on Mike Newell's "Great Anticipation" and Yohei Taneda on Keanu Reeves' "Guy of Tai-Chi" producers Iain Cruz on George Miller's "Mad Max: Fury Road" and Bennett Walsh on M. Evening Shyamalan's "1000 A.E." editors Nancy Richardson on Jonathan Levine's "Warm Physiques" and Dany Cooper on Wayne Blair's "The Sapphires" vfx supervisor Bruce Steinheimer on Ben Affleck's "Argo" and stunt coordinator Melissa Stubbs on Fox's "Alcatraz." Marsh signings: ).g.Is Jason Lehel ("Gaia") and Steve Lawes ("Strikeback") and production designers Ben Procter ("Ender's Game") and Keith John Burns ("Abduction"). Dattner Dispoto signed costume designer Nadine Haders ("John From Cincinnati") and reserved d.p. Bojan Bazelli on Gore Verbinski's "The Lone Ranger." ITalent reserved editors Crispin Struthers on David O. Russell's "The Silver Textures Playbook" and Susan Littenberg on Daryl Wein's "Lola Versus" and d.p. Marco Fargnoli on Adult Swim's "Children's Hospital." Innovative Artists signed costume designer Kathleen Felix ("Dexter'). Agency reserved d.p. Eric Edwards on Take advantage of Epstein and Jeffrey Friedman's "Lovelace" and John Thomas on Showtime's "The Large C" editor Michael Ruscio on HBO's "True Bloodstream" and production designers Anthony Medina on Lifetime movie "Killing Mr. Wright" and Lauren Crasco on USA pilot "On We Go." Contact Peter Caranicas at peter.caranicas@variety.com

Christopher Walken Employs Lawyer to deal with Natalie Wood Analysis (Exclusive)

Stephen Lovekin/Getty ImagesChristopher Walken Because the analysis in to the 1981 dying of actress Natalie Wood gets hotter, Christopher Walken has hired an attorney regarding the the situation.our editor recommendsRobert Wagner Blamed Self For Natalie Wood's Dying in MemoirChristopher Walken Offered Natalie Wood Dying Theory in Past InterviewNatalie Wood's Sister Makes First TV Appearance on 'Piers Morgan Tonight' (Video)Natalie Wood Researchers to look at Boat in Hawaii Robert Wagner Not really a Suspect Natalie Wood Reopened Situation Prompts CBS' '48 Hrs Mystery' to maneuver Up Air DateNatalie Wood Dying: Christopher Walken Radio Interview a Hoax The Hollywood Reporter has found that Mathew Rosengart, an old federal district attorney switched lawsuit specialist at La' Greenberg Traurig firm, has become representing Walken. The actor was among the last individuals to see Wood, his co-star within the film Brainstorm, before she inexplicably died almost 30 years ago. PHOTOS: Best Pictures of Natalie Wood Sources tell THR that La Sheriff's Department researchers don't consider Walken to become a suspect within the inquiry, that was formally reopened Friday. PHOTOS: 12 of Hollywood's Most Mysterious Deaths In a press conference, Lt. John Corina stated the situation continues to be treated being an accidental drowning but declined to supply particulars around the inquiry or say who'd be questioned regarding the the probe. Corina stated the department had received new, credible information that motivated further analysis. VIDEO: 5 of Natalie Wood's Most Memorable Roles Walken, Wood and Wood's husband Robert Wagner counseled me aboard a ship from the coast of Catalina Island when Wood disappeared and was later found dead within the sea. Corina stated in the Friday press conference that Wagner isn't a suspect. VIDEO: Natalie Wood's Boat Captain Confesses to Laying, States Robert Wagner 'Responsible' on her Dying Sources say Rosengart originates aboard to advise Walken within the inquiry. Although the attorney spent ten years like a district attorney using the U.S. Justice Department, his employing does not necessarily mean Walken is expecting an adversarial process. Rosengart is really a civil litigator having a strong entertainment lawsuit practice, and Walken is anticipated to cooperate fully with researchers throughout the probe. STORY: Christopher Walken Offered Natalie Wood Dying Theory in Past Interview On Friday, new organizations reported an erroneous story which stated Walken contacted to some radio station to discuss the evening of Wood's dying. However, the segment the station broadcast ended with a Walken impersonator that has an every week bit on ESPN980, and never real. Email: Matthew.Belloni@thr.com Twitter: @THRMattBelloni Christopher Walken Natalie Wood Robert Wagner

The Extraordinary Voyage (Le Voyage extraordinaire)

An MK2 release of a Steamboat Films presentation and production, in co-production with Lobster Films, with the participation of France Televisions. Produced by Serge Bromberg, Marianne Lere. Directed by Serge Bromberg. Co-director, Eric Lange.With: Costa-Gavras, Jean-Pierre Jeunet, Michel Gondry, Michel Hazanavicius, Eric Lange, Tom Burton, Nicolas Ricordel. Narrator: Serge Bromberg.Technology and infinite patience form the alchemist's stone that turns celluloid dross into cinematic gold in "The Extraordinary Voyage," Serge Bromberg's and Eric Lange's tale of preservation magic. The 12-year restoration of a color version of George Melies' seminal 1902 masterpiece "A Trip to the Moon" involved long, slow, tedious processes, but Bromberg's docu, liberally sprinkled with fanciful excerpts from Melies' surviving works, never bogs down in scientific detail as bits get reassembled and enhanced, frame by frame, fragment by fragment. Skedded to tour worldwide in tandem with the gorgeous new "Moon," this docu makes a worthy satellite for the main attraction. Though it chronicles the transference of images in great detail, the docu's biggest impact lies in the fantastical power of the hand-painted imagery itself and the passion of those committed to its phoenix-like resuscitation. Talking-head duties are assumed by Melies-philes Jean-Pierre Jeunet, Michel Gondry, Michel Hazanavicius and, surprisingly, Costa-Gavras. Co-helmer Eric Lange, appearing in front of the camera, emerges as the print's obsessed, monomaniacal savior, softening and unspooling badly decomposed silver-nitrate stock in minuscule increments. But fittingly, it is Melies himself, the unsurpassed impresario, who steals the show.Camera (color, HD), Jean-Louis Sonzogni; editor, Janice Jones; music, Bruno Alexiu. Reviewed at Museum of Modern Art, NY, Nov. 11, 2011. Running time: 65 MIN. Contact the Variety newsroom at news@variety.com

John Malone Finishes Liberty Starz Monitoring Stock And Ups Share Repurchases

This can give Liberty Media Chairman John Malone along with other professionals a great deal to discuss later today at the organization’s annual dog-and-pony show for traders.Your decision toconvert Liberty Starz and Liberty Capital from monitoring stocks right into a single resource-based stockshould diminish the growingsense that Malonewas fattening up Starz for any large deal — possibly a purchase.The funnel continues to be trading heavily in original programming, and Liberty Starz just revealed a $1.5B credit facility.Janney Capital Marketplaces analyst Tony Wible states the Street “likely is going to be included the way it translates this news” from the alternation in Liberty Starz’ status. Meanwhile, Liberty’s $1.25B stock repurchase “should help ease (traders’) concern.” And hope springs eternal:Burns Tabak analyst David Joyce states that “in time we'd expect M&A activity with one of these assets to get again.” Here’s the organization’s release: ENGLEWOOD, Colo. — Liberty Media Corporation (Nasdaq: LCAPA, LCAPB, LSTZA, LSTZB) (Liberty) today introduced that it is board of company directors has all chosen to get rid of Libertys monitoring stock structure by transforming each share of their Liberty Starz common stock into .88129 of the share from the corresponding number of Liberty Capital common stock, good at 5:00 p.m., NY City time, on November 28, 2011 (the Conversion Date). Cash is going to be compensated instead of fractional shares. We're very happy to announce the mixture of Liberty Starz and Liberty Capital into an resource-backed security, stated Greg Maffei, Liberty Leader and Boss. The board of company directors determined it was the best proceed to boost the value for Liberty Capital and Liberty Starz investors by getting rid of the tracker discount, growing liquidity within the stock and developing a more powerful acquisition currency. Additionally, we lately required benefit of the attractive debt marketplaces to boost capital at Starz, and that we convey more possibilities to deploy it in a combined Liberty Media. The conversion of shares of Liberty Starz common stock is going to be effected pursuant to Article IV, Section A.2(b)(ii) of Libertys restated charter and can lead to the conversion of all the outstanding shares of Liberty Starz common stock around the Conversion Date unless of course, pursuant towards the restated charter, the board determines to terminate the Conversion just before the Conversion Date. The conversion doesn't need any pursuit by Libertys investors and can don't have any effect on the companies, liabilities and assets of Liberty. Following a conversion, Liberty may have two number of common stock, that will trade underneath the Nasdaq symbols LMCA and LMCB. Libertys board also going to boost the repurchase authorization for Liberty Capital common stock to $1.25 billion following a conversion. Holders of certificated shares of Liberty Starz common stock will get instructions of transmittal from Computershare Trust Company, N.A., with instructions regarding how to surrender their certificates formerly representing shares of Liberty Starz common stock for certificates representing shares from the corresponding number of Liberty Capital common stock. Certificated holders must surrender their stock certificates, plus a completed and duly performed letter of transmittal (and then any other documentation needed therefore), to Computershare, Corporate Actions, P.O. Box 43014, Providence, RI 02940-3014, to be able to receive certificates representing their Liberty Capital common stock shares. Regarding holders of Liberty Starz common stock locked in book-entry form, their accounts is going to be debited its their shares of Liberty Starz common stock and immediately credited using the relevant number and number of shares of Liberty Capital common stock around the Conversion Date.

Nomura Downgrades Entertainment Industry to 'Neutral'

NY - Analyst Michael Nathanson of Nomura Securities downgraded his view on the U.S. media and entertainment sector from "bullish" to "neutral" on Monday saying "we believe that the sector's positive earnings revisions are set to slow in 2012." He also downgraded his rating on CBS Corp.'s stock from "buy" to "neutral," arguing that 2013 earnings "are set to decelerate sharply post highly anticipated strong 2012 results." But despite the downgrades, Nathanson emphasized: "Having defended media fundamentals over the past year, our downgrade of the group and CBS is not rooted in the belief that industry drivers are about to fall off a cliff. Rather, we think that the upside earnings surprises that drove CBS and the broader sector are going to be less likely in the year ahead." Nathanson still recommends shares of Walt Disney, News Corp, and Viacom as "buys" in the entertainment sector. "We believe that Disney and News Corp. have the best earnings per share revision potential in the group due to the benefit of near-term and widespread affiliate and retrans/reverse negotiations, strong cable content franchises, and the potential for further capital return plans," he wrote. "Viacom is now simply a value play on a massive equity shrink." Among factors negatively affecting his entertainment industry outlook are U.S. advertising trends, which the analyst said "have been decelerating over 2011 and came in below forecast for the second quarter in a row." He said he was "worried that national scatter trends, a major source of upside, have cooled and will become even more challenging in the first quarter." Nathanson also said some cable networks groups with ratings challenges will face increased programming and marketing costs, and smaller cable networks owners will have more contentious relationships with distributors. Plus, while big entertainment companies have "widely embraced" stock buybacks, which boost earnings per share and investor confidence, investors are now mostly including them in their evaluation of stocks. "After decades of capital destruction, we applaud these [buyback] actions," said Nathanson. "However, they are now factored in to most forward earnings estimates." Nathanson even mentioned digital platforms, such as Netflix and Amazon, highlighting that for the second quarter in a row they have driven earnings upside surprises at Hollywood conglomerates. "While we are in early days, we worry that the market is starting to see these deals 'as having your cake and eating it, too'," he wrote. "We are concerned that the scope for more near-term digital dollars is limited, the increase in Web options may cannibalize some level of viewing and that traditional syndicated TV buyers will be less interested in library content going forward." Email: Georg.Szalai@thr.com Twitter: @georgszalai Related Topics Time Warner Viacom The Walt Disney Company News Corp. CBS Corporation

Access Hollywood Live: Candice Kumais Cold & Flu Fighting Healthy Quality quality recipes

First Launched: November 11, 2011 1:54 PM EST Credit: Access Hollywood Caption Candice Kumai shares her immunity-enhancing quality quality recipes on Access Hollywood LiveLOS ANGELES, Calif. -- Chef Candice Kumai stopped by Access Hollywood Live to discuss good quality immunity-enhancing quality quality recipes for foods that may help you & your family members fight cold & flu season! Fall Veggies Salad Elements: 1/4 cup sunflower seed items 1/2 bunch kale, chopped 1/2 bunch Swiss chard, chopped (I like Rainbow Chard, but any variety can do) 1 cup butternut squash laces and laces and ribbons (very carefully shaved raw slices) 1/4 cup dried red-colored grapes 2 tbsps . crumbled chevre For your Orange Vinaigrette: 1/2 cup orange juice 1 tablespoon Dijon 1/4 teaspoon sea salt to taste 1 tablespoon essential essential olive oil 1 teaspoon herbal remedies p Provence Roasted Garlic clove clove + Lemon Flatbreads: Serves 8, appetizer portions Pre-warmth oven to 350 levels 1. Cut a whole garlic clove clove clove in 2. Wrap garlic clove clove in foil, with 1 tablespoon of essential essential olive oil, and roast for roughly an hour or so approximately . 5. Elements: 1 store-bought pizza dough 3 tbsps . extra-virgin essential essential olive oil, divided 1 mind of garlic clove clove, roasted 1/4 fresh lemon, cut into thin slices 1/4 medium red-colored-colored onion, cut in two and incredibly carefully sliced 1/2 cup arugula 1/2 cup fresh goat cheese (Chevre) Directions: 1. Pre-warmth oven to 350 levels 2. Wrap garlic clove clove in foil, with 1 tablespoon of essential essential olive oil, and roast for roughly an hour or so approximately . 5 3. Toss lemon slices in essential essential olive oil, and arrange in a single layer around the sheet pan. Bake prior to the rinds are soft, and begin to brown 4. Unveil pizza dough, around the floured surface, with a thickness of just oneOr2 inch. Brush the dough with 2 tbsps . of essential essential olive oil, and sprinkle with salt. Bake for five-7 minutes. Get rid of the crust within the oven. and rehearse the trunk of the spoon to spread a thick layer of roasted garlic clove clove inside the surface 5. Spread the lemon, red-colored-colored onion, arugula, and goat cheese inside the crust 6. Bake for 12-a quarter-hour, prior to the crust is golden, as well as the veggies are slightly wilted. (Quality quality recipes courtesy Candice Kumai) Copyright 2011 by NBC Universal, Corporation. All rights reserved. These elements is probably not launched, broadcast, rewritten or redistributed.

Disney Beats Fiscal 4Q Estimations With Strong Results At ESPN And Amusement Parks

The organization reportednet earnings of $1.1B, up 30% versus the time this past year, on revenues of $10.43B, up 7%. That easily beat Street predictions for revenues of $10.36B. Earnings, at 58 cents a share, also capped forecasts of 54 cents — and with out them-time charges might have hit 59 cents. Disney’s cable channels brought the charge with revenues up 9% to $4.8B along with a 20% hike in operating profits to $1.46B. The organization states that ESPN and also the overseas channels brought the way in which with greater affiliate costs and worldwide ad growth — even though sports funnel was hurt by rising costs for programming and marketing along with a rankings drop from losing the FIFA World Cup. The systems figures range from the ABC broadcast operation, where revenues were up 4% to $1.33B having a 37% rise in operating earnings to $201M. Even though it didn’t have political advertisements, the system tips from greater ad rates — partially because of an uptick in rankings for news and sports — minimizing programming costs. The organization states that scatter costs are 25% in front of the upfront market. In the amusement parks, attendance was up 1% but investing was up 9% because of cost increases. That brought to some revenue increase of 11% to $3.13B with operating earnings rising 33% to $421M. The organization states that consumer investing was up — especially new guest choices at Disney California Adventure and also at the Disney Cruise Line,although sales were lower in the Disney Vacation Club. The studio had mixed results with revenues lower 8% to $1.46B and operating earnings up 13% to $117M. Home theatre sales were lower andCars 2 wasn't any match for this past year’s Toy Story 3 — but this past year’s results incorporated a $100M writedown in the closing of Robert Zemeckis’film studio in Northern California.

Mere 'Immortals' at premiere

Actress Freida Pinto arrives at the "Immortals 3D" Los Angeles premiere at Nokia Theatre L.A. Live.Joseph Morgan, Tarsem Singh, Henry Cavill and Kellan Lutz play this one for the gods. Tucker Tooley with Stephen Dorff Mickey Rourke was in top form Monday for the preem of Relativity Media's "Immortals" at L.A. Live. He started with nothing but praise for co-star Henry Cavill. "Henry's very serious about it all. He was very focused and got himself in great shape," Rourke said. "He's a regular, hard-working guy who I think is going to take the opportunity that he's been given. Where he goes is up to him. Anybody can be a movie star for five minutes but let's talk to you 25 years later and see what you're made out of. All the really good young actors these days are coming out of the U.K. and Australia, and who do we got? Shia LaBeouf and Ryan Gosling?" Rourke, who recently played the baddie in "Iron Man 2," also discussed the downside of ceding the screen to the hero. "It's a continuous fight when you play these kind of roles, because Lord knows the bad guy can't be more intelligent or interesting than the good guy," he continued. "The villain is usually written in a one-dimensional kind of way with no layers. They bring a guy like me in to make choices, but I lost the battle with 'Iron Man' because most of my performance ended up on the floor." Helmer Tarsem Singh doesn't feel much pressure to deliver a box office hit. "I just want to make sure my DNA is in the film," he said. But the pressure is on regardless. "Tarsem better come through for us," joked Relativity's Tucker Tooley, who added, "It was clear right away that Cavill was the right guy for the role... and for Superman, apparently." P.S. to Rourke: Gosling is Canadian. Contact Jeff Sneider at jeff.sneider@variety.com

FEMA Chief Apologizes For Widespread Glitches In Emergency Alert System Test

It can’t be a happy day for the FCC and the Federal Emergency Management Agency as they absorb a flood of reports about bizarre results at some TV and radio outlets from today’s first-ever national test of the Emergency Alert System.Viewers and listeners flocked to Twitter and Facebook after the 30-secondalert at 2 PM ET/11 AM PT.Some DirecTV customers said they just heard Lady Gaga singing “Paparazzi,” The NY Times says. Several TV stations had minutes of silence. That included Los Angeles’ KABC: Itposted the EAS sign without audio, and several minutes later anchors mics were dead.Some radio listeners said that they just heard background noise or nothing at all. Time Warner Cable customers in NY said they saw no sign of a test. “We do know that in many places, the Emergency Alert Notification flowed through to viewers without a hitch,” the National Cable & Telecommunications Association said. “However, we also know that in some places, it did not.” Craig Fugate, administrator of the Federal Emergency Management Agency, told ABC News that he’s”concerned that we are probably seeing more failures than what we thought. But we didnt know what we didnt know. If you dont test you cant fix. … I apologize for the disruptions that people went through. But we need to test things to find out what works and what doesnt work. The 30,000 communications services that participated in the test will report their results within 45 days.”Based on preliminary data, large regions of the country received the test but some areas did not,” says FCC Public Safety & Homeland Security Bureau Chief Jamie Barnett.”We are currently in the process of collecting and analyzing data, and will reach a conclusion when that process is complete.

'Harry Potter As Well As The Deathly Hallows' For That Consideration Oscars Ad Launched

Warner Bros has their Oscar campaign for "Harry Potter as well as the Deathly Hallows: Part 2" under control. A completely new ad for For That Consideration campaign highlights every single tear-jerking moment within the film. Snape's recollections? Check. Harry's go into the forest? Check. The King's Mix Station scene? Absolutely. Could be whether it has the required steps to convince the Academy of motion Picture Arts and Sciences take a best picture jerk, nevertheless it certainly has us poised to purchase the DVD if the hits stores Friday. Nominees won't be revealed before the month of the month of january 24, but Warner Bros goes ready for his or her FYC campaign. Furthermore to trading within an offer for top Picture, they're also suggesting Best Director, Best Modified Script, Best Actor (Daniel Radcliffe and Rupert Grint), Best Actress (Emma Watson), Best Score, Best Supporting Actor and Actress (everyone you might consider, minus Tom Felton) together with an entire slew of technical ones. Taking into consideration the truth the Academy is a lot more open to blockbusters given that they gipped "The Dark Dark evening" from the nomination this past year, it seems fair to consider that "Deathly Hallows: Part 2" will no less than obtain a few major nods even if it doesn't win anything. I am putting my bid in at this time around for Alan Rickman certainly acquiring a nomination for top Supporting Actor. Everyone from Michael Gambon to Matthew Lewis certainly launched an amazing performance in this particular film, nevertheless it was finally Rickman's time to shine. Even if "Deathly Hallows: Part 2" can get snubbed its much-deserved Best Picture jerk, it'll be satisfying enough to own Rickman in contention as they stands the most effective chance of really winning. But this year, greater than almost every other, marks "Potter's" best chance of really winning some major honours. Let's remember how "Return in the King" taken the Academy awards if the was released. "Deathly Hallows: Part 2" is broadly made the decision as the most effective of all the "Potter" films, which is been a location of contention within the last decade that "Potter" has not been nominated for just about any major Oscar (in addition to won for visual effects). It may be a suitable send-on the business-changing franchise to become finally -- finally -- be acknowledged depending on how great it's on Oscar evening. You think Warner Bros does a fantastic job convincing Academy voters to consider "Deathly Hallows: Part 2" with an Oscar? Reveal inside the comments section below or on Twitter!

Academy Backs Oscarcast Producer Brett Ratner, But There Is No Room For Screwups

UPDATE: The Academy of Motion Picture Arts and Sciences will not take action after Brett Ratner made and then apologized for making an insensitive comment during a Q&A for his film Tower Heist. AMPAS president Tom Sherak told Deadline he is standing behind Ratner after the filmmaker apologized for saying that rehearsal is for fags. But Sherak made it crystal clear that another indiscreet comment will not be tolerated. “His remarks were inappropriate, Sherak told Deadline. He said it best in his apology, that his comments were dumb and insensitive. When you think of our community, it went against all the beliefs of the creative community we represent. He knew it was wrong and he issued that response as quickly as any human being ever has. The bottom line is, this wont and cant happen again. It will not happen again. He apologized and we will move forward. How do I know this? Ive known this man for a very long time. He has many friends who are members of the gay and lesbian community. The apology he gave I truly believe comes from his heart. If I didnt believe it, I would do something about it. This is about integrity and honoring the Academy Awards, but we all make mistakes and I believe he didnt mean it.” EARLIER, 1:56 P.M. Director and Oscarcast producer Brett Ratner needs to conduct himself with more class in public appearances or risk screwing up his dream job of staging the upcoming Academy Awards by alienating Academy membership. Ratner, who got off on the right foot getting Eddie Murphy to host, has cast himself in an unflattering light with comments made while promoting Tower Heist. He has fielded questions with a lack of understanding that as Oscarcast producer, he is something of an ambassador for the Academy and a prestigious Oscar tradition. At a screening last weekend, Ratner made the insensitive observation to a room full of people that “rehearsing is for fags,” and today had to issue an apology. Beyond that, Ratner showed a lack of tact talking about his prolific sexual exploits on the cable TV program Attack of the Show and again this morning on Howard Stern’s Sirius XM radio show. The latter was a particularly graphic discussion. I’ve known Ratner for years, and he has a quality of wanting to please, be it making his actors happy or delivering a dishy interview that a host like Stern is after. Ratner’s priority for the next few months should be to put on a good show, and stop embarrassing the Academy. I get the feeling Ratner now understands this but if he keeps shooting himself in the foot, it will be up to the AMPAS board to lay down the law.

Oz academy links track of G'Day USA

SYDNEY -- The Australian Academy of Cinema and tv Arts, which released in August, has introduced it'll use G'Day USA, a La event that encourages everything Australian, to enhance its kudocast in The month of january. AACTA uses the G'Day USA black tie gala, held on Jan. 14 in the Grand Ballroom in L.A., like a platform to announce the noms because of its AACTA Worldwide Honours, that will bow the very first time in the Sydney Opera House on Jan. 31. The worldwide portion of the kudos will recognition the very best professionals worldwide in four groups: film, acting, writing and direction. "Australia's film and tv industries play a huge role in developing our cultural identity, in impacting on tourism as well as in adding to the export market, and that we anticipate working alongside G'Day USA to boost the profile in our screen industry worldwide," stated AACTA topper Damian Trewhella. "The Australian public has tossed its support behind some good Australian tales this season, with 'Red Dog' catapulting its distance to the very best 10 greatest grossing Australian films, and also the popular documentary, 'Mrs Carey's Concert,' making box office history as just two good examples." AACTA, which changed the Australian Film Institute, aims to lift the neighborhood industry's worldwide profile. Contact the range newsroom at news@variety.com

Stoner Movie How-To Influence

'Like Crazy' director Drake Doremus knows his way around a great montage, a skill which will come in handy within the new indie romance. Doremus's star-joined drama notifies the story from the youthful couple (Anton Yelchin as well as the Felicity Manley) separated by Visa issues in addition to their own insufficiencies, and features some perfectly edited sequences of love, separation and anticipation. Rarely has youthful love looked so honest -- and technically adept -- round the silver screen. In this exclusive new clip package within the film, Jacob (Yelchin) and Ana (Manley) meet-cute at their college, continue an attractive date in addition to participate some poetry. "The halves will halve you in 2,In . states Ana. Along with her British accent, it's really no surprise Jacob wants her constantly. Watch the "I Truly Want YouInch clip above, and search for the "I Really Want You,Inch "I Like You" and "I Miss You" packages at Apple, Fandango and EW, correspondingly. Follow Moviefone on Twitter Like Moviefone on Facebook RELATED